2024. Volume 17. Issue 2

Editor-in-Chief’s Column

The Russian musical art of the early 20th century: Dissonances

• A. I. Demchenko

Ethnography, Ethnology and Anthropology

The ritual of “name questioning” in the Russian wedding tradition as a relic of bride abduction

• V. S. Buzin

History of Philosophy

The fundamental question of philosophy: Dialectics of the subject and object of cognition in German classical philosophy and Marxism

• P. V. Chelyshev

Theory and history of Culture and Art

The problems of forming a guitar orchestra in the light of the history and practice of the formation and development of historical forms of collective music making

• I. A. Beshchetnikov
• G. N. Dombrauskene

Male choir singing in Karelia in the context of Russian choral singing traditions

• A. I. Umnov

Arts

Space mythologem in twentieth-century music art

• D. N. Bolotin
• G. N. Dombrauskene

A milestone and essential characteristics of theatrical dance in Russia in the late 19th – early 20th centuries

• N. A. Dogorova

The art of bel canto and its manifestations in the vocal parts of Rimsky-Korsakov's operas "Snegurochka" and "The Tsar's Bride"

• V. I. Nilova
• N. A. Popova

Ballet scenes in the operas of M. I. Glinka in the reviews of his contemporaries

• A. P. Grutcynova

Museology, conservation and restoration of historic and cultural objects

The 2023-2024 museum programs dedicated to the works of Japanese female artists of the Meiji, Taishō and Shōwa eras

• L. A. Akhmylovskaya

Book Reviews

Shalamov A. Yu. Moscow Police. 1905-1907. Moscow: Kuchkovo Pole, 2022. 560 p.: 8 p. of illustrations: Book review

• A. E. Smirnitsky

Personalia

Musical portrait of Nikolay Tcherepnin: Stages of his life and creative work. On the 150th anniversary of his birth

• A. M. Anuchin