Contents July 27, 2018 Open access 2018. Issue 7 All issues Top Editor-in-Chief’s Column ANCIENT WORLD: THE STREAMS OF ART CREATIVITY A. I. Demchenko History ANZALI PORT RECONSTRUCTION AND ITS IMPORTANCE FOR THE RUSSIAN CAPITAL TO CAPTURE IRAN (1895-1914) A. E. Abramov MAIN STAGES OF FORMATION AND DEVELOPMENT OF THE PHYSICAL CULTURE TRAINING PROGRAM “READY FOR LABOR AND DEFENSE!” IN SOVIET BURYATIA A. N. Balakirev O. A. Ubeeva ATTEMPT OF NICHOLAS I TO MONITOR THE RUSSIAN NOBILITY’S OPINION ON THE PEASANT ISSUE IN THE 1840S A. N. Dolgikh CULTURAL POLICY IN THE CONTEXT OF NAZI PROPAGANDA WITHIN THE OCCUPIED TERRITORIES OF STAVROPOL KRAI AND KUBAN IN 1942-1943 N. V. Doronina M. A. MILORADOVICH AND THE UPRISING ON THE SENATE SQUARE: THE ANALYSIS OF THE MOTIVES AND ACTIONS OF THE ELITE REPRESENTATIVES DURING THE DEVELOPMENT OF NEW PROTEST FORMS T. Y. Zhukovskaya PLOTINUS IN ALEXANDRIA: THE ORIGINS OF NEOPLATONISM I. V. Zaitseva TRANSFER OF TRADITIONAL RURAL LIFESTYLE INTO URBAN SPACE (BY THE EXAMPLE OF ABKHAZIA TOWNS) R. S. Zel'nitskaya V. F. VOYNO-YASENETSKY’S WORK AS A SURGEON-CONSULTANT WITH WOUNDED SOLDIERS AND OFFICERS IN KRASNOYARSK EVACUATION HOSPITALS (1941-1944) S. V. Kozhevnikov PRELIMINARY ELECTIONS AMONG LANDOWNERS’ CURIA TO THE FIRST STATE DUMA (ACCORDING TO THE MATERIALS OF MOSCOW PROVINCE) T. M. Poroshkova DELPHI AND SOLON’S POLICY A. S. Solov'eva TWO LINES IN THE FATE OF THE REVOLUTIONARY MOVEMENT VETERANS (BY THE MATERIALS OF THE CORRESPONDENCE OF V. I. SKLYAREVICH AND K. P. ZLINCHENKO IN THE 1920-1930S) A. M. Trofimova ARRIVAL OF MAJOR AMERICAN AGENCIES IN ITALY AS A FACTOR OF THE ITALIAN SOCIETY DEVELOPMENT IN THE 50-70S OF THE XX CENTURY E. N. Yakutina Philosophy CONTENT ASPECT OF TRUST EXISTENCE E. Y. Bikmetov A. V. Luk'yanov M. A. Pushkareva PROBLEMS OF SEARCHING AND CONSTRUCTING THE NATIONAL IDEA OF MODERN RUSSIA: SOCIAL AND PHILOSOPHICAL ANALYSIS T. T. Gantamirov “HUMAN CAPITAL” AND ANTHROPOLOGICAL CRISIS EMERGENCE FROM COGNITIVE CAPITALISM PERSPECTIVE P. E. Karpovich HYBRID WAR AS A MODERN SOCIOCULTURAL PHENOMENON A. A. Konopleva A. S. Verem'ev S. P. Chobit'ko PLATO’S MIMESIS IN THE CONTEXT OF VARIOUS INTERPRETIVE STRATEGIES Y. S. Magomedova CHRISTIAN AND PHILOSOPHICAL COMPONENTS OF INTEGRATED APPROACH TO MENTAL DISEASES NOSOLOGY A. V. Novikov V. A. Bogachev ORIGINS OF THE USA POLITICAL ETHOS Y. V. Panova ANTHROPODICY PROBLEM IN M. K. MAMARDASHVILI’S PHILOSOPHY Y. Y. Petryk PRECARIZATION OF RESEARCHERS AND TEACHING STAFF IN HIGHER EDUCATION: THE ACADEMIC PRECARIAT FORMATION A. V. Slobodskaya Art Criticism A. YU. TALASHCHUK’S CREATIVE WORK AS A PAINTER OF ENAMEL Y. A. Aleksandrova MILITARY PARADE IN THE RUSSIAN PAINTING OF THE SECOND QUARTER OF THE XIX CENTURY AS A SYMBOL OF GLORIFICATION OF THE EMPEROR NICHOLAS I: REPRESENTATION OF CLASSICISTIC IDEA IN THE CANVASES OF ROMANTIC ARTISTIC MOVEMENT (BY THE EXAMPLE OF A. I. LADURNER’S AND G. G. CHERNETSOV’S PAINTINGS) I. Y. Beiner THEY WERE THE FIRST: ON S. A. DEGTYAREV’S SPIRITUAL CONCERTS IN THE REPERTOIRE OF LENINGRAD CHAMBER CHOIR A. V. Golovin S. I. TANEYEV’S CHORAL CYCLE OP. 27 ON Y. P. POLONSKY’S POETRY: CORRELATION OF THE POET’S AND THE COMPOSER’S ESTHETICAL AND PHILOSOPHICAL VIEWS V. I. Karpus' PROBLEM OF INSTRUMENTAL MUSIC PERCEPTION R. Z. Komurdzhi THE PAINTER ILBEK KHAIRULINOV’S LITERARY WORK V. I. Meshcheryakova A. I. KHACHATURIAN’S SONATA-MONOLOGUE FOR SOLO VIOLIN. ON THE ISSUE OF GENRE AND CONCEPTION S. I. Nesterov RUSSIAN CHORAL MUSIC DEVELOPMENT IN THE SECOND HALF OF THE XVIII - AT THE BEGINNING OF THE XIX CENTURY AND MUSICAL CLASSICISM AESTHETICS I. V. Polozova PLASTIC RHETORIC AND THE PRINCIPLE OF PARODYING IN PETER SELLARS’S PRODUCTION OF “COSÌ FAN TUTTE” BY MOZART / DA PONTE A. A. Sokol'skaya O. B. Makarova VALUE PERCEPTION OF COLOR IN MORDOVIAN CULTURE V. V. Shigurov T. A. Shigurova
ANZALI PORT RECONSTRUCTION AND ITS IMPORTANCE FOR THE RUSSIAN CAPITAL TO CAPTURE IRAN (1895-1914) A. E. Abramov
MAIN STAGES OF FORMATION AND DEVELOPMENT OF THE PHYSICAL CULTURE TRAINING PROGRAM “READY FOR LABOR AND DEFENSE!” IN SOVIET BURYATIA A. N. Balakirev O. A. Ubeeva
ATTEMPT OF NICHOLAS I TO MONITOR THE RUSSIAN NOBILITY’S OPINION ON THE PEASANT ISSUE IN THE 1840S A. N. Dolgikh
CULTURAL POLICY IN THE CONTEXT OF NAZI PROPAGANDA WITHIN THE OCCUPIED TERRITORIES OF STAVROPOL KRAI AND KUBAN IN 1942-1943 N. V. Doronina
M. A. MILORADOVICH AND THE UPRISING ON THE SENATE SQUARE: THE ANALYSIS OF THE MOTIVES AND ACTIONS OF THE ELITE REPRESENTATIVES DURING THE DEVELOPMENT OF NEW PROTEST FORMS T. Y. Zhukovskaya
TRANSFER OF TRADITIONAL RURAL LIFESTYLE INTO URBAN SPACE (BY THE EXAMPLE OF ABKHAZIA TOWNS) R. S. Zel'nitskaya
V. F. VOYNO-YASENETSKY’S WORK AS A SURGEON-CONSULTANT WITH WOUNDED SOLDIERS AND OFFICERS IN KRASNOYARSK EVACUATION HOSPITALS (1941-1944) S. V. Kozhevnikov
PRELIMINARY ELECTIONS AMONG LANDOWNERS’ CURIA TO THE FIRST STATE DUMA (ACCORDING TO THE MATERIALS OF MOSCOW PROVINCE) T. M. Poroshkova
TWO LINES IN THE FATE OF THE REVOLUTIONARY MOVEMENT VETERANS (BY THE MATERIALS OF THE CORRESPONDENCE OF V. I. SKLYAREVICH AND K. P. ZLINCHENKO IN THE 1920-1930S) A. M. Trofimova
ARRIVAL OF MAJOR AMERICAN AGENCIES IN ITALY AS A FACTOR OF THE ITALIAN SOCIETY DEVELOPMENT IN THE 50-70S OF THE XX CENTURY E. N. Yakutina
PROBLEMS OF SEARCHING AND CONSTRUCTING THE NATIONAL IDEA OF MODERN RUSSIA: SOCIAL AND PHILOSOPHICAL ANALYSIS T. T. Gantamirov
“HUMAN CAPITAL” AND ANTHROPOLOGICAL CRISIS EMERGENCE FROM COGNITIVE CAPITALISM PERSPECTIVE P. E. Karpovich
CHRISTIAN AND PHILOSOPHICAL COMPONENTS OF INTEGRATED APPROACH TO MENTAL DISEASES NOSOLOGY A. V. Novikov V. A. Bogachev
PRECARIZATION OF RESEARCHERS AND TEACHING STAFF IN HIGHER EDUCATION: THE ACADEMIC PRECARIAT FORMATION A. V. Slobodskaya
MILITARY PARADE IN THE RUSSIAN PAINTING OF THE SECOND QUARTER OF THE XIX CENTURY AS A SYMBOL OF GLORIFICATION OF THE EMPEROR NICHOLAS I: REPRESENTATION OF CLASSICISTIC IDEA IN THE CANVASES OF ROMANTIC ARTISTIC MOVEMENT (BY THE EXAMPLE OF A. I. LADURNER’S AND G. G. CHERNETSOV’S PAINTINGS) I. Y. Beiner
THEY WERE THE FIRST: ON S. A. DEGTYAREV’S SPIRITUAL CONCERTS IN THE REPERTOIRE OF LENINGRAD CHAMBER CHOIR A. V. Golovin
S. I. TANEYEV’S CHORAL CYCLE OP. 27 ON Y. P. POLONSKY’S POETRY: CORRELATION OF THE POET’S AND THE COMPOSER’S ESTHETICAL AND PHILOSOPHICAL VIEWS V. I. Karpus'
A. I. KHACHATURIAN’S SONATA-MONOLOGUE FOR SOLO VIOLIN. ON THE ISSUE OF GENRE AND CONCEPTION S. I. Nesterov
RUSSIAN CHORAL MUSIC DEVELOPMENT IN THE SECOND HALF OF THE XVIII - AT THE BEGINNING OF THE XIX CENTURY AND MUSICAL CLASSICISM AESTHETICS I. V. Polozova
PLASTIC RHETORIC AND THE PRINCIPLE OF PARODYING IN PETER SELLARS’S PRODUCTION OF “COSÌ FAN TUTTE” BY MOZART / DA PONTE A. A. Sokol'skaya O. B. Makarova
