2018. Issue 7

Editor-in-Chief’s Column

ANCIENT WORLD: THE STREAMS OF ART CREATIVITY

• A. I. Demchenko

History

ANZALI PORT RECONSTRUCTION AND ITS IMPORTANCE FOR THE RUSSIAN CAPITAL TO CAPTURE IRAN (1895-1914)

• A. E. Abramov

MAIN STAGES OF FORMATION AND DEVELOPMENT OF THE PHYSICAL CULTURE TRAINING PROGRAM “READY FOR LABOR AND DEFENSE!” IN SOVIET BURYATIA

• A. N. Balakirev
• O. A. Ubeeva

ATTEMPT OF NICHOLAS I TO MONITOR THE RUSSIAN NOBILITY’S OPINION ON THE PEASANT ISSUE IN THE 1840S

• A. N. Dolgikh

CULTURAL POLICY IN THE CONTEXT OF NAZI PROPAGANDA WITHIN THE OCCUPIED TERRITORIES OF STAVROPOL KRAI AND KUBAN IN 1942-1943

• N. V. Doronina

M. A. MILORADOVICH AND THE UPRISING ON THE SENATE SQUARE: THE ANALYSIS OF THE MOTIVES AND ACTIONS OF THE ELITE REPRESENTATIVES DURING THE DEVELOPMENT OF NEW PROTEST FORMS

• T. Y. Zhukovskaya

PLOTINUS IN ALEXANDRIA: THE ORIGINS OF NEOPLATONISM

• I. V. Zaitseva

TRANSFER OF TRADITIONAL RURAL LIFESTYLE INTO URBAN SPACE (BY THE EXAMPLE OF ABKHAZIA TOWNS)

• R. S. Zel'nitskaya

V. F. VOYNO-YASENETSKY’S WORK AS A SURGEON-CONSULTANT WITH WOUNDED SOLDIERS AND OFFICERS IN KRASNOYARSK EVACUATION HOSPITALS (1941-1944)

• S. V. Kozhevnikov

PRELIMINARY ELECTIONS AMONG LANDOWNERS’ CURIA TO THE FIRST STATE DUMA (ACCORDING TO THE MATERIALS OF MOSCOW PROVINCE)

• T. M. Poroshkova

DELPHI AND SOLON’S POLICY

• A. S. Solov'eva

TWO LINES IN THE FATE OF THE REVOLUTIONARY MOVEMENT VETERANS (BY THE MATERIALS OF THE CORRESPONDENCE OF V. I. SKLYAREVICH AND K. P. ZLINCHENKO IN THE 1920-1930S)

• A. M. Trofimova

ARRIVAL OF MAJOR AMERICAN AGENCIES IN ITALY AS A FACTOR OF THE ITALIAN SOCIETY DEVELOPMENT IN THE 50-70S OF THE XX CENTURY

• E. N. Yakutina

Philosophy

CONTENT ASPECT OF TRUST EXISTENCE

• E. Y. Bikmetov
• A. V. Luk'yanov
• M. A. Pushkareva

PROBLEMS OF SEARCHING AND CONSTRUCTING THE NATIONAL IDEA OF MODERN RUSSIA: SOCIAL AND PHILOSOPHICAL ANALYSIS

• T. T. Gantamirov

“HUMAN CAPITAL” AND ANTHROPOLOGICAL CRISIS EMERGENCE FROM COGNITIVE CAPITALISM PERSPECTIVE

• P. E. Karpovich

HYBRID WAR AS A MODERN SOCIOCULTURAL PHENOMENON

• A. A. Konopleva
• A. S. Verem'ev
• S. P. Chobit'ko

PLATO’S MIMESIS IN THE CONTEXT OF VARIOUS INTERPRETIVE STRATEGIES

• Y. S. Magomedova

CHRISTIAN AND PHILOSOPHICAL COMPONENTS OF INTEGRATED APPROACH TO MENTAL DISEASES NOSOLOGY

• A. V. Novikov
• V. A. Bogachev

ORIGINS OF THE USA POLITICAL ETHOS

• Y. V. Panova

ANTHROPODICY PROBLEM IN M. K. MAMARDASHVILI’S PHILOSOPHY

• Y. Y. Petryk

PRECARIZATION OF RESEARCHERS AND TEACHING STAFF IN HIGHER EDUCATION: THE ACADEMIC PRECARIAT FORMATION

• A. V. Slobodskaya

Art Criticism

A. YU. TALASHCHUK’S CREATIVE WORK AS A PAINTER OF ENAMEL

• Y. A. Aleksandrova

MILITARY PARADE IN THE RUSSIAN PAINTING OF THE SECOND QUARTER OF THE XIX CENTURY AS A SYMBOL OF GLORIFICATION OF THE EMPEROR NICHOLAS I: REPRESENTATION OF CLASSICISTIC IDEA IN THE CANVASES OF ROMANTIC ARTISTIC MOVEMENT (BY THE EXAMPLE OF A. I. LADURNER’S AND G. G. CHERNETSOV’S PAINTINGS)

• I. Y. Beiner

THEY WERE THE FIRST: ON S. A. DEGTYAREV’S SPIRITUAL CONCERTS IN THE REPERTOIRE OF LENINGRAD CHAMBER CHOIR

• A. V. Golovin

S. I. TANEYEV’S CHORAL CYCLE OP. 27 ON Y. P. POLONSKY’S POETRY: CORRELATION OF THE POET’S AND THE COMPOSER’S ESTHETICAL AND PHILOSOPHICAL VIEWS

• V. I. Karpus'

PROBLEM OF INSTRUMENTAL MUSIC PERCEPTION

• R. Z. Komurdzhi

THE PAINTER ILBEK KHAIRULINOV’S LITERARY WORK

• V. I. Meshcheryakova

A. I. KHACHATURIAN’S SONATA-MONOLOGUE FOR SOLO VIOLIN. ON THE ISSUE OF GENRE AND CONCEPTION

• S. I. Nesterov

RUSSIAN CHORAL MUSIC DEVELOPMENT IN THE SECOND HALF OF THE XVIII - AT THE BEGINNING OF THE XIX CENTURY AND MUSICAL CLASSICISM AESTHETICS

• I. V. Polozova

PLASTIC RHETORIC AND THE PRINCIPLE OF PARODYING IN PETER SELLARS’S PRODUCTION OF “COSÌ FAN TUTTE” BY MOZART / DA PONTE

• A. A. Sokol'skaya
• O. B. Makarova

VALUE PERCEPTION OF COLOR IN MORDOVIAN CULTURE

• V. V. Shigurov
• T. A. Shigurova