2019. Volume 12. Issue 5

BAROQUE EPOCH - ARTWORK DIRECTIONS

• A. I. Demchenko

MONETARY INFLATION AND CEREAL SUPPLY THROUGH THE LENSES OF THE RUSSIAN REVOLUTION OF OCTOBER 1917 (BY THE MATERIALS OF MOSCOW AND PETERSBURG PROVINCES)

• A. A. Akasheva
• Y. V. Sokolov

SYSTEM OF TRAINING KOMSOMOL TOP-LEVEL OFFICIALS IN THE PRE-WAR PERIOD (1937- 1941) (BY THE EXAMPLE OF TERRITORIAL ORGANIZATIONS)

• V. E. Bredikhin

REPRESENTATION OF SOCIO-ECONOMIC DEVELOPMENT PROBLEMS OF THE STEPPES IN GOVERNOR GENERALS’ REPORTS AT THE BEGINNING OF THE XX CENTURY

• V. V. Germizeeva
• T. V. Glazunova

MATERIAL SITUATION OF THE PAROCHIAL CLERGY OF TULA EPARCHY IN 1945-1957

• P. A. Efimushkin

REPRESENTATION OF POLITICAL CULTURE OF THE SIBERIAN SOCIAL DEMOCRATS (1901-1907) IN THE EARLY SOVIET LITERATURE

• S. P. Isachkin

INFLUENCE OF HISTORICAL DEVELOPMENT OF TERRITORY ON REGIONAL BRANDING NATURE (BY THE EXAMPLE OF THE KOMI REPUBLIC)

• K. A. Kazakova
• A. N. Gorunovich

ROMANIA’S CLAIMS TO THE FRONTIER SOVIET TERRITORIES AND TRANSYLVANIA IN THE YEARS OF THE SECOND WORLD WAR

• T. P. Malyutina

HEGUMENS’ ROLE IN THE RUSSIAN ECCLESIASTICAL-PENITENTIARY SYSTEM OF THE XIX - THE BEGINNING OF THE XX CENTURY

• E. S. Matveeva

PARTICIPATION OF PEASANT MUTUAL ASSISTANCE COMMITTEES OF KABARDINO-BALKARIA IN SCHOOL EDUCATION FORMATION IN THE 1920S

• Z. K. Soblirova

PRISON LABOUR IN THE URAL REGION IN THE SECOND HALF OF THE 1920S - THE 1930S

• V. V. Filatov

MECHANISMS TO FORM LOYAL MOODS AND CLASS VALUES AMONG THE NOBILITY IN THE FIRST HALF OF THE XIX CENTURY (BY THE EXAMPLE OF PENZA AND NIZHNY NOVGOROD PROVINCES)

• A. P. Chernyshov

THEATRICAL ART ROLE IN CRIMEA SOCIAL LIFE BY THE EXAMPLE OF CHARITY (THE END OF THE XIX - THE BEGINNING OF THE XX CENTURY)

• S. P. Shendrikova

‘KORDON MIASSOVO 1’ BURIAL OF THE SECOND QUARTER OF THE II MILLENNIUM IN THE MOUNTAIN-FOREST TRANS-URAL REGION

• A. F. Shorin
• A. A. Shorina

BRIEF ANALYSIS OF insights into TIME AND ETERNITY IN ANCIENT GNOSTICISM

• S. A. Bakhar’

HISTORY OF PHILOSOPHICAL HERMENEUTICS INSTITUTIONALIZATION: WAYS OF AESTHETIC EXPLICATION

• D. A. Belyaev
• V. I. Luk'yanchikov

APOPHATIC PROJECTION OF DOCTRINES ABOUT MATTER IN PHILOSOPHY OF PLATO, ARISTOTLE AND PLOTINUS

• A. V. Bogomolov

IDEA OF CONCILIAR NATURE IN PHILOSOPHY OF CLASSICAL EURASIANISM

• O. S. Isaeva

ONTOLOGICAL ARGUMENT IN THE MIDDLE AGES

• K. A. Matakov

PHILOSOPHY OF EDUCATION: L. WITTGENSTEIN’S IMPULSE

• N. V. Medvedev

DIALECTICS OF TIME IN ROBERT ROZHDESTVENSKY’S “INDIAN” POEMS

• V. V. Ostanin
• K. V. Konovalov

MATHEMATICAL NATURE OF NEWTONIAN PHYSICS IN THE CONTENT OF NEW EUROPEAN SCIENCE

• T. V. Torubarova

PHILOSOPHY OF LEGAL PARADIGMS IN THE CONTEXT OF INFORMATION REALITY

• Z. Y. Bakaeva
• A. O. Bukin

VECTOR OF CHANGES AS A FORM OF EXISTENCE OF HISTORICAL REALITY

• D. A. Shcherbakov

REPRESENTATION OF “MAN - NATURE” DIALOGUE IN THE ANCIENT CHINESE PHILOSOPHY

• T. O. Koryagina

PHILOSOPHY OF TECHNOLOGY IN TRAINING MASTER’S DEGREE AND POSTGRADUATE STUDENTS OF TECHNICAL SPECIALITIES

• E. O. Akishina
• N. I. Martishina

BUSINESS ETHICS: DETERMINATION OF RESEARCH PERSPECTIVES

• I. V. Shuler

GRANDIOSE RECONSTRUCTION: BOOK REVIEW: DEMCHENKO A. I. SEMANTIC CONCEPTS OF THE DOMESTIC MUSIC OF THE EARLY ХХ CENTURY: MONOGRAPH. MOSCOW, 2019. 138 P.

• O. I. Kulapina

SOCIO-PHILOSOPHICAL FOUNDATIONS OF DEINSTITUTIONALIZATION

• E. V. Krysova

ANTI-SYSTEM AS A SOCIAL PHENOMENON (BY THE EXAMPLE OF BOGOMILISM)

• S. I. Sulimov
• A. V. Plotnikova
• V. D. Chernykh

VALUE AND SOCIAL-PSYCHOLOGICAL TURBULENCE AS A FACTOR OF THE RUSSIAN MENTALITY UPDATE

• G. L. Tsigvintseva

PROFESSIONAL JAZZ VOCALIST’S FORMATION UNDER THE CONDITIONS OF HIGHER EDUCATION INSTITUTION (BY THE EXAMPLE OF THE INSTITUTE OF ARTS AND ARTISTIC EDUCATION OF VLADIMIR STATE UNIVERSITY NAMED AFTER ALEXANDER AND NIKOLAY STOLETOVS): KEY METHODS AND FORMS OF WORK

• E. I. Vasil'eva

ANALYSIS OF DOMESTIC AVANT-GARDE MUSIC IN THE HIGHER SCHOOL COURSE “FUNDAMENTAL CONCEPTS OF THEORETICAL MUSICOLOGY”

• A. V. Danilova

LEADING NATIONAL CHOREOGRAPHIC SCHOOLS AS FOUNDATION OF WORLD BALLET ART

• A. A. Sadykova

PECULIARITIES OF TONAL DRAMATURGY IN G. DMITRIEV’S “SYBIL” FOR FLUTE AND CHAMBER ORCHESTRA

• A. V. Sarzhant

CONCERT AND EDUCATIONAL ACTIVITY OF THE ETHNOGRAPHIC SECTION OF THE STATE INSTITUTE OF MUSICAL SCIENCE

• D. V. Smirnov

DITHYRAMB - CONCERT ROMANCE IN THE RUSSIAN CHAMBER-VOCAL CULTURE OF THE SECOND HALF OF THE XIX CENTURY: TRANSFORMATION OF VOICE PART

• O. D. Stepanidina

MUSICAL EAR TRAINING AND SOLFEGGIO PRACTICE IN MODERN CHINA

• S. Ji

• Retracted

FOLKLORIC ORIGINS OF V. SALMANOV’S CREATIVE WORK (BY THE EXAMPLE OF CHORUS VERSION OF “BELA RUMYANÁ”)

• O. A. Shubina

ETHNIC TRADITIONS IN THE KABARDINO-BALKARIAN VISUAL ARTS

• G. D. Bazieva

GRAPHIC DESIGN IN THE CONTEXT OF VISUAL CULTURE AND NEW TECHNOLOGIES

• R. Y. Ovchinnikova

PICTORIAL POSSIBILITIES IN DESIGNING NON-STANDARD ADVERTISING OBJECTS

• I. V. Pashkova

THE CRIMEAN LANDSCAPE INTERPRETATION IN S. G. MAMCHICH’S WORKS

• E. N. Alekseeva

MUGHAM AND ASHIG ART IN THE AZERBAIJANI POETRY OF THE XIX-XX CENTURIES

• A. G. Bairamova

SEMIOTIC MECHANISM OF HETEROTOPY (IN RELATION TO SCIENCE ART)

• O. V. Popova