2019. Volume 12. Issue 8

Editor-in-Chief’s Column

BAROQUE EPOCH - ARTWORK DIRECTIONS

• A. I. Demchenko

National History

BUDGET OF THE RUSSIAN EMPIRE FOR 1803-1913: METHODOLOGY TO RECONSTRUCT LONG TIME SERIES

• A. A. Akasheva
• Y. V. Sokolov

MINING INDUSTRY CREATION AS A CONDITION FOR YAKUTIA INDUSTRIALIZATION ORIGIN (THE SECOND HALF OF THE 1920S)

• N. I. Burnasheva
• I. I. Kovlekov

DOCUMENTATION OF THE DON PARISH CLERGY’S ACTIVITY IN THE SECOND HALF OF THE XIX CENTURY

• M. V. Vatolina
• L. V. Shlenchenko

NATIONAL ENTREPRENEURSHIP IN THE SOUTHERN VOLGA PROVINCES IN THE EARLY XX CENTURY (BY THE EXAMPLE OF KAMYSHIN, TSARITSYN AND DUBOVKA POSAD)

• O. A. Karagodina
• I. N. Litvinova

WORKERS’ COOPERATION IN THE YEARS OF NEW ECONOMIC POLICY: TRANSFORMATION OF THEORETICAL AND PRACTICAL APPROACHES (BY THE MATERIAL OF DON, KUBAN AND STAVROPOL REGIONS)

• G. V. Kravchenko

MAIRAMYKAU SETTLEMENT IN THE HISTORY OF MOZDOK ICON OF THE MOTHER OF GOD

• M. E. Mamiev

THE SOCIALIST REVOLUTIONARY PARTY’S PLATFORM AT THE ELECTION TO MUNICIPAL SELF-GOVERNMENT BODIES IN SUMMER, 1917

• O. L. Protasova

“FASCISTS WILL NEVER REACH THE USSR BORDERS”: PREDICTIONS MADE BY ERNST HENRI IN 1934-1936

• A. A. Chernilovskii

ORGANIZATION OF FOREIGN TOURISM IN KARELIA IN THE 1960S

• I. V. Shorokhova

History of Philosophy

“RUSSIAN SOCIALISM” NATIONAL PROJECT AND “SCYTHIAN” FIGURE IN A. I. HERZEN’S IDEOLOGICAL HERITAGE

• A. Y. Vyazinkin

Ontology and Epistemology

PHENOMENAL AND INTENTIONAL ASPECTS OF CONSCIOUSNESS

• I. V. Cherepanov

Philosophical Anthropology, Philosophy of Culture

MAIN ISSUE OF PHILOSOPHY: CORRELATION OF REALITY AND SIMULATION

• P. V. Veklenko
• D. V. Popov

Philosophy of Science and Technology

ENGINEERING SKILLS FORMATION IN THE LIGHT OF TECHNICAL EDUCATION GAMIFICATION BY THE EXAMPLE OF THE HIGHER ENGINEERING SCHOOL OF THE INDUSTRIAL UNIVERSITY OF TYUMEN

• I. S. Kal'va
• A. L. Pimnev

PHILOSOPHICAL IMAGE OF CLASSICAL AND NON-CLASSICAL SCIENCE: CHANGE OF KEY METAPHORS

• N. I. Martishina
• E. O. Akishina

Philosophy of Religion and Religious Studies

“NOVUM IN NOVOS”: PAGAN PROLIFICATION OF THE XXI CENTURY BY THE EXAMPLE OF “ALATYR OF SPIRIT” COMMUNITY

• R. V. Shizhenskii

Ethics

LIFE PRINCIPLES OF THE JAPANESE MERCHANT OF THE BEGINNING OF THE XVII CENTURY

• T. B. Sorokina
• V. A. Shashkov

Social Philosophy

DYNAMICS OF THE MODERN YOUTH’S VALUE ORIENTATIONS (BY THE EXAMPLE OF THE REPUBLIC OF DAGESTAN)

• Z. A. Isparilova

PROFESSIONAL SOLDIER’S DUTY AS A DETERMINANT OF LIFE MEANING

• V. E. Kuleshov
• S. A. Danil’chenko

“INTERNATIONALISM” NOTION IN PHILOSOPHICAL DISCOURSE

• I. S. Lysenko

COMPUTER GAMES AS AN INSTRUMENT OF PEACEFUL WAR

• V. A. Polikarpova
• E. V. Polikarpova

EXISTENCE AESTHETICS AS A COUNTERSTRATEGY TO BIOPOWER MECHANISM IN M. FOUCAULT’S POLITICAL-PHILOSOPHICAL PROJECT

• D. S. Popov

INSTITUTION AS AN OBJECT OF SOCIO-PHILOSOPHICAL ANALYSIS

• N. N. Ravochkin

TEMPORAL ORGANIZATION OF SOCIAL MYTH

• S. V. Ryabtsev
• P. E. Kirillov

SELF-DETERMINATION OF MODERN SCIENCE: PROBLEM OF DEMARCATION AND ITS SOCIAL MEANING

• L. A. Salpagarova

FACTOR OF MIRACLE IN A MODERN ECONOMIC MAN’S ACTIVITY

• R. K. Smirnov

MODERNIZATION POSSIBILITIES OF ARCHAIC CHARACTER IN THE PROCESS OF THE SOCIETY’S SOCIO-CULTURAL DEVELOPMENT

• T. M. Sycheva

Musical Art

THEORETICAL ASPECTS OF STUDYING MUSICAL NOTATION

• A. S. Aleksandrova

W. A. MOZART’S CONCERT FOR CLARINET AND ORCHESTRA IN THE CONTEXT OF THE GENRE EVOLUTION

• D. E. Zlotnikov
• I. V. Polozova

VERBAL AND MUSICAL COMPONENTS OF P. I. TCHAIKOVSKY’S OPERA CHOIRS IN THEIR INTERACTION (BY THE EXAMPLE OF “MAIDEN CHOIR” FROM “EUGENE ONEGIN”)

• E. O. Kaz'mina
• T. E. Zimnukhova

THE CHINESE CHAMBER-VOCAL LYRICS IN HUANG ZI’S CREATIVE WORK

• X. Li

THE SIBERIAN MORDOVIAN FOLKLORE IN THE CONTEXT OF MODERN CULTURE (ADAPTATION OF MEDIA SOURCES TO FOLK SONG TRADITION)

• P. S. Shakhov

Visual, Decorative and Applied Arts and Architecture

THEORETICAL MODEL OF RESTORATION OF BARDZRAKASH MONASTERY COMPLEX OF THE X-XIII CENTURIES

• B. O. Baragamyan

CHILDHOOD IMAGE IN PLASTIC ART OF LENINGRAD PORCELAIN FACTORY MASTERS IN THE 1950-1960S

• E. V. Ivanova

FORTIFICATION FEATURES OF THIÉRACHE FORTIFIED CHURCHES IN LINE WITH THE ARMS DEVELOPMENT OF THE XVI-XVII CENTURIES (BY THE EXAMPLE OF ST MARTIN’S CHURCH IN BURELLES)

• I. I. Orlov

COLOUR PALETTE OF ISLAM AND BUDDHISM IN THE ICON “THE SAVIOUR NOT MADE BY HANDS” OF THE XVII CENTURY FROM THE STATE TRETYAKOV GALLERY FUNDS

• O. V. Rozanova
• Y. A. Bortnikova
• O. N. Naumenko

Theory and History of Art

FORMING THE FOUNDATIONS OF THE RUSSIAN BALLET THEATRE TRADITION (HISTORICAL AND ARTISTIC ASPECTS)

• D. N. Katysheva

ANALYSIS OF THE VIDEO GAME “THE ENTERTAINMENT”. INVERSION OF FORMS

• P. V. Lapshin

RULER’S PORTRAITS AS SAINT GEORGE IN THE EUROPEAN AND RUSSIAN ART AND APPROACHES TO THEIR STUDY

• E. A. Skvortsova

STREET ART IN THE CONTEXT OF THE EUROPEAN AVANT-GARDE TRADITION

• A. Y. Tylik

A. MALDYBAEV’S ROLE IN KYRGYZSTAN MUSICAL ART FORMATION

• A. U. Ulanova