2024. Volume 17. Issue 3

Editor-in-Chief’s Column

The Russian musical art of the early 20th century: Evolution

• A. I. Demchenko

National History

The problem of involving minors in the restoration of the national economy of the USSR in the first post-war years (based on the materials of Donbass)

• O. V. Gavrysh

Educational activities of the Separate Caucasus Corps in the context of the policy of integrating the Caucasus into the common imperial space (first half of the 19th century)

• R. E. German

History of the organizational and managerial activities of the Soviet microbiologist Zinaida Vissarionovna Ermolyeva

• A. V. Gorshenin

P. L. Lavrov on the social history of revolutionary ideas in Russia and North America in the late 18th century

• A. Y. Viazinkin

General History

Turning point in the 1701-1714 War of the Spanish Succession: The Danube military campaign of 1704

• A. V. Kutishchev

The referendum on the independence of Montenegro in 2006: ethnolanguage aspects

• A. N. Belokhvostov
• Y. O. Matveicheva

Development of Toyota Motor Corporation in the first quater of the 21st century: A global aspect

• A. S. Mostovaia

The ideologist of French colonialism Alexis de Tocqueville on the Algerian question (1830-1848)

• A. E. Lazutina

Archaeology

Study of the structure of burial practices in Russian archaeology

• V. I. Mel՚nik

Ontology and Epistemology

Worldview and its forms: The axiological approach of Max Scheler

• R. A. Burkhanov
• O. V. Nikulina

Social and Political Philosophy

The theory of differentiation in philosophical reflections of Gilbert Simondon and Gilles Deleuze

• V. O. Sayapin

The role of the civilizational approach in the theoretical substantiation of the ideology of modern Russian society

• N. A. Butenko

The impact of digital technologies on the existence and development of new forms of communication (selfies)

• S. M. Frolova
• V. E. Nikolashkina

The interaction of spheres of public life in traditional and modern societies (using the example of the political sphere dominance)

• S. I. Sulimov
• I. V. Chernigovskikh

Philosophical Anthropology, Philosophy of Culture

Problems of the development of culture and art in the information society

• I. S. Shapovalov

Human and whole human in the philosophical anthropology of Max Scheler

• R. A. Burkhanov
• O. V. Nikulina

At the origins of modern existential anthropology: “Dialectic of personal being” by Søren Kierkegaard

• A. R. Burkhanov

Philosophy of Science and Technology

Logical and gnoseological characteristics of the topic of scientific research

• S. I. Degtyarev

Philosophy of Religion and Religious Studies

Comparative analysis of the soteriological concepts of St. Augustine and John Cassian the Roman

• A. R. Antonyan

Concept of the incarnation in gnostic and canonical Christianity

• S. A. Bakhar

Aesthetics

“Aesthetic existentialism” of M. K. Mamardashvili: History as an authentic form of existence

• Y. Y. Petryk

Theory and history of Culture and Art

The meaning and symbolism of the gonjong, a structural element of the roof of the traditional West Sumatran house of Rumah Gadang, in the context of semiotics

• A. B. Marakhina
• Angga Elpatsa

Disrupted narratives: Modification of the Chinese language in Xu Bing’s “Book from the Sky”

• I. A. Prigarina

Ways and means of reflecting the figurative and emotional level through multimedia: Creating an on-screen character (based on the productions of the Saratov Youth Theater)

• P. S. Lazarev

Mythologization as a means of creating a city image

• V. G. Shurina

Polemical dialogue with artists of the past: On the creative heritage of E. L. Rotenberg. Unknown pages of biography

• O. Y. Koshkina

Representation of classical painting images in an advertising product as a form of dialogue between elite and mass culture (using the example of Volkswagen AG’s 2008 advertising campaign)

• V. B. Volkova

Formation of the “new spectacle”: Understanding modern streaming (by the example of Netflix and others)

• V. U. Mekhonoshin

Discourse of decadence in Nikodim Kondakov’s “History of Byzantine Art...” (1876)

• A. V. Rykov

Idea of the synthesis of arts in the creative work of Soviet unofficial artists in the 1960s-1980s

• A. I. Lubimova

Representations of the image of Peter the Great as exemplified by “The Bronze Horseman” by É. Falconet and A. S. Pushkin in the context of social memory: From artistic image to mythological figure

• S. M. Frolova
• G. V. Yasakova
• S. A. Danilov

Arts

The weighing of souls at the Last Judgment in Western European medieval art

• P. A. Shkurat
• I. I. Orlov

“Singing about the germination of the world” by Boris Filanovsky: Musical reading of Pavel Filonovʼs poem

• V. V. Krasov

The specifics of the pianist's concertmaster competencies in the process of working with soloists-vocalists

• S. V. Rudneva

“The Passenger” by M. Weinberg: Updating the repertoire in accompanist training

• A. V. Vanchugov
• T. N. Smyslova

The Altai ornament as an element of the image structure in the book graphics of V. A. Ramensky

• V. I. Krylova
• L. I. Nekhviadovich

The influence of classical Chinese philosophy on the national music of China in the 1980s

• Mingkong Gao

Choral texture in the cantata-oratorio works of Ruvim Pergament

• T. V. Kraskovskaja

Book Reviews

Zhivotich A. “Balkan front” of the Cold War: The USSR and Yugoslav-Albanian Relations. 1945-1968 / ed. A. B. Yedensky. Moscow – Saint Petersburg: Institute of Slavic Studies of the Russian Academy of Sciences; Nestor-History, 2022. 288 p.: Book review

• A. E. Smirnitsky

Texts and contexts: An overview of the publications of the almanac XV Forum “Dialogue of Arts and Art Paradigms”

• I. V. Kamenskaia

Zemskov V. N. The great turning point. The true scale of Stalin’s purges. Moscow: Prospekt, 2022. 760 p.: Book review

• A. E. Smirnitsky

Smirnitsky A. E. Key issues in the development of Soviet historical science (1917-1991). Moscow: INFRA, 2022. 157 p.: Book review

• N. V. Starikova

Demchenko A. I. Our Alfred Schnittke. Saratov: Volga Publishing House, 2024. 176 p.: ill.: Book review

• I. L. Egorova